“The Chair for the Philosophy of Question” (1990), with an antique Tibetan chair, in “James Lee Byars: ½ an Autobiography,” at MoMA PS1
See this review published on Bushwick Daily
As the story goes, there are a million different ways to say I Love You. For 20th Century conceptual-performance artist James Lee Byars, it was never about saying the words. “James Lee Byars: 1/2 an Autobiography” at MoMA PS1 chronicles this artist’s lifelong career as an artist who transformed his life into an artful series of eventful acts. He played the role of artist-as-shaman throughout his life as he sought to expound on philosophical concepts of perfection, truth, beauty, and love. He intertwined his art into his life and at moments the difference is immutable—which is exactly the point. As Byars dressed daily in monochrome suits of black, white, pink or gold, the world was his stage as he theatrically…
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