Morton Feldman’s Patterns in a Chromatic Field Part Seven

You know, at no point could  you consider the music in this aesthetically pretty with its harsh tones.  Though I have noticed the piano verging on meandering and limited in its sound while the cello creates all different types of music with the plucking and ‘sawing’.  Thankfully, Yutaka Oya (the pianist) picks up the pace near the end.

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