“In a 1959 New Yorker review of the recently opened Solomon R. Guggenheim Museum, Lewis Mumford admired Frank Lloyd Wright’s invention but deplored the building’s many deficiencies as a place to exhibit art: the distracting ramp, the sloping walls, the lack of conventional galleries. He concluded that perhaps the best solution would be to turn “Wright’s monumental and ultimately mischievous failure” into a museum of architecture. Last month, the Guggenheim did something better. As part of its 50^th anniversary celebrations, for a solo show by a young European performance artist, Tino Sehgal, it left the rotunda empty. The stark space was a revelation.”

Nice Curves: What the Guggenheim Looks Like Naked By Witold Rybczynski